Wool, knotted and cut pile
<span class="gray">Per Modern Master Tapestries price list dated December 1, 1978 (RLF Archives):</span> 108 x 144 in. (274.3 x 365.8 cm) (tapestries examined by our researchers range from 106–110 in. in height and 143–148 in. in width)
Most tapestries marked with the artist’s name (hand-stitched) on the turn-back, lower left (upside down). HC also marked with copyright symbol. The artist’s name is misspelled on AC and ed. unkn11. Ed. unkn09 and ed. unkn10 marked with the artist’s name (hand-stitched) on the turn-back, lower right (upside down). Of the unauthorized copies, ed. 14/20* is marked with the artist’s name and copyright symbol (hand-stitched) on the turn-back, lower left (upside down), ed. unkn21* is marked with the artist’s name and copyright symbol (hand-stitched) on the turn-back, lower right (upside down) and ed. unkn23* is marked with the artist’s name (hand-stitched) on the turn-back, lower right (upside down). The artist’s name is misspelled on ed. unkn21*.
Classification: tapestry
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Catalogue entry

Artwork: Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509)  SE 4/6
SE 4/6
RLCR 1509 (LC 531, LC G-117 (HC), 531-B (ed. 13/20), LC 531-A (unkn05); RL 0181; SKN 38)
Modern Tapestry
1967 (fabricated 1968–1973)
Title Source
Castelli; RL Studio Card
Media
Wool, knotted and cut pile
Dimensions
Per Modern Master Tapestries price list dated December 1, 1978 (RLF Archives): 108 x 144 in. (274.3 x 365.8 cm) (tapestries examined by our researchers range from 106–110 in. in height and 143–148 in. in width)
Description
Edition of 20; 1 AC; 1 PC; 1 HC; 6 SE (authorized)
Publisher: Charles E. Slatkin, Inc. Galleries, New York (renamed Modern Master Tapestries Inc. in 1972)

Manufacturer: Union Commercial Corporation (Nand Gopal Dutt, Prem Dutt and Raj Dutt), Mirzapur, Uttar Pradesh, India, until December 1983; Adhiraj Exports (Adhiraj Dutt with Raj Dutt as consultant), Mirzapur, Uttar Pradesh, India, since January 1984; Imtiaz Ahmed (weaving graph designer); Pannalal (dyer); Shah Mohammed, Sipahilal, Moolchand and Noor Mohammad (loom owners/weavers)
Inscriptions
Most tapestries marked with the artist’s name (hand-stitched) on the turn-back, lower left (upside down). HC also marked with copyright symbol. The artist’s name is misspelled on AC and ed. unkn11. Ed. unkn09 and ed. unkn10 marked with the artist’s name (hand-stitched) on the turn-back, lower right (upside down). Of the unauthorized copies, ed. 14/20* is marked with the artist’s name and copyright symbol (hand-stitched) on the turn-back, lower left (upside down), ed. unkn21* is marked with the artist’s name and copyright symbol (hand-stitched) on the turn-back, lower right (upside down) and ed. unkn23* is marked with the artist’s name (hand-stitched) on the turn-back, lower right (upside down). The artist’s name is misspelled on ed. unkn21*.
Ed. 1509.AC
LICHTENSTIEN [sic] [upside down]
Ed. 1509.HC (LC G-117)
LICHTENSTEIN © [upside down]
Ed. 1509.PC
LICHTENSTEIN [upside down]
Ed. 1509.SE1/6
[no information]
Ed. 1509.SE2/6
LICHTENSTEIN [upside down]
Ed. 1509.SE3/6
LICHTENSTEIN [upside down]
Ed. 1509.SE4/6
LICHTENSTEIN [upside down]
Ed. 1509.SE5/6
LICHTENSTEIN [upside down]
Ed. 1509.SE6/6
[no information]
Ed. 1509.unkn01
LICHTENSTEIN [upside down]
Ed. 1509.unkn02
[no information]
Ed. 1509.unkn03
[no information]
Ed. 1509.unkn04
LICHTENSTEIN [upside down]
Ed. 1509.unkn05 (LC 531-A)
[no information]
Ed. 1509.unkn06
LICHTENSTEIN [upside down]
Ed. 1509.unkn07
[no information]
Ed. 1509.unkn08
[no information]
Ed. 1509.unkn09
LICHTENSTEIN [upside down]
Ed. 1509.unkn10
"signed Lichtenstein on the turnover lower right" (per Bonhams auction e-catalogue 10/27/2014)
Ed. 1509.unkn11
LICHTENSTIEN [sic] [upside down]
Ed. 1509.unkn12
[no information]
Ed. 1509.unkn13
LICHTENSTEIN [upside down]
Ed. 1509.unkn14
[no information]
Ed. 1509.unkn15
LICHTENSTEIN [upside down]
Ed. 1509.unkn16
[no information]
Ed. 1509.unkn17
[no information]
Ed. 1509.unkn18
LICHTENSTEIN [upside down]
Ed. 1509.unkn19
LICHTENSTEIN [upside down]
Ed. 1509.unkn20
LICHTENSTEIN [upside down]
Ed. 1509.unkn21*
LICHTENSTIEN © [sic] [upside down]
Ed. 1509.unkn22*
[no information]
Ed. 1509.unkn23*
LICHTENSTEIN [upside down]
Ed. 1509.13/20 (531-B)
[no information]
Ed. 1509.14/20*
LICHTENSTEIN © [upside down]
Remarks

Tapestries without a known edition number were designated "unkn" by the authors and numbered in the order listed on a Modern Master Tapestries royalty summary dated January 19, 1982 (RLF Archives). Ed. unkn05 was originally declared the artist copy, then exchanged for the official AC in 1974. One tapestry was designated as the publisher copy by the authors since it was owned by the publishers. Another tapestry was designated the HC by the authors because it replaced an earlier HC damaged by moths.

The authors were able to connect most tapestries with their respective auction sales. This was a challenge when auction records did not illustrate the piece that was actually sold. For the following auction we were unable to confirm the tapestry: Sotheby's Arcade, New York, November 7, 1997, lot 398 (sold). 

Per a Modern Master Tapestries letter to Lichtenstein dated January 29, 1973, the edition was sold out by that time (RLF Archives). After the publisher closed c. 1986–87, at least five or six unauthorized pieces of this design were ordered from Adhiraj Exports. Per the fabricator these were ordered by Charles Zalber of Galerie Lucie Weill & Seligman, Paris (one tapestry in 2001 and one tapestry in 2005); William D. Weber (one tapestry in 2005); Gallery Camino Real in Boca Raton, Florida (two tapestries, date of order unknown) and Barry Cronan Fine Art, London (one tapestry in May 2006). Not all unauthorized tapestries could be located as of 2023, the known pieces are marked with an asterisk (*).

Keyword
Commission
Research Images
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). AC
AC
Photo: Courtesy RLF Archives
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). AC: Signature
AC: Signature
Photo: Courtesy RLF Archives
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). AC: Manufacturer's label with quality approval code PREMGAL
AC: Manufacturer's label with quality approval code PREMGAL
Photo: Courtesy RLF Archives
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). Ed. HC: Manufacturer's label with quality approval code PREMPAL
Ed. HC: Manufacturer's label with quality approval code PREMPAL
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). Ed. HC: Signature
Ed. HC: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). PC
PC
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). PC: Signature
PC: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). SE1/6: Detail
SE1/6: Detail
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). SE2/6: Signature
SE2/6: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). SE2/6
SE2/6
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). SE3/6
SE3/6
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). SE3/6: Signature
SE3/6: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). SE3/6: Manufacturer's label with quality approval code PREMGAL
SE3/6: Manufacturer's label with quality approval code PREMGAL
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). SE4/6
SE4/6
Photo: Courtesy RLF Archives
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). SE4/6: Publisher's label
SE4/6: Publisher's label
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). SE4/6: Signature
SE4/6: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). SE5/6
SE5/6
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). SE5/6: Signature
SE5/6: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn01: Signature
1509.unkn01: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn04: Signature
1509.unkn04: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn04
1509.unkn04
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn06
1509.unkn06
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn06: Signature
1509.unkn06: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn09
1509.unkn09
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn09: Signature
1509.unkn09: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn10
1509.unkn10
Photo: Courtesy RLF Archives
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn11: Detail
1509.unkn11: Detail
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn11: Partial image of signature
1509.unkn11: Partial image of signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn11: Partial image of signature
1509.unkn11: Partial image of signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn13: Signature
1509.unkn13: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn15
1509.unkn15
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn15: Signature
1509.unkn15: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn18
1509.unkn18
Photo: Courtesy Rago Arts and Auction Center
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn18: Signature
1509.unkn18: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn19
1509.unkn19
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn19: Signature
1509.unkn19: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn20
1509.unkn20
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn20: Signature
1509.unkn20: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn21*: Detail
1509.unkn21*: Detail
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn21*: Detail
1509.unkn21*: Detail
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn21*: Signature
1509.unkn21*: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn22*
1509.unkn22*
Photo: Courtesy Pierre Bergé & Associés
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn23*: Detail
1509.unkn23*: Detail
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 1509.unkn23*: Signature
1509.unkn23*: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 14/20*
14/20*
Photo: Courtesy RLF Archives
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 14/20*: Signature
14/20*: Signature
Modern Tapestry, 1967 (fabricated 1968–1973) (RLCR 1509). 14/20*: Modern Masters Tapestries certificate signed by the artist
14/20*: Modern Masters Tapestries certificate signed by the artist
Related Works
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Provenance
Ed. 1509.AC
The artist (by contract)
Private collection
Ed. 1509.HC (LC G-117)
Leo Castelli, New York City (by contract)
Collection of Barbara Bertozzi Castelli, 1999 (by bequest)
Ed. 1509.PC
Charles E. Slatkin, Inc. Galleries, New York City [Regina Slatkin, c. 1977]
Ed. 1509.SE1/6
Private Collection, Italy, 1971 (via Charles E. Slatkin, Inc. Galleries, New York City)
Ed. 1509.SE2/6
Gae Aulenti, Milan, Italy, 1971 (via Charles E. Slatkin, Inc. Galleries, New York)
Giovanna Buzzi, Milan, Italy, 2012 (by descent)
Ed. 1509.SE3/6
Massimo and Lella Vignelli, New York, spring 1971 (via Charles E. Slatkin, Inc. Galleries, New York City)
Ed. 1509.SE4/6
Solari, Udine, Italy, June 1971 (via Charles E. Slatkin, Inc. Galleries, New York City; via Gino Valle, Italy)
Ed. 1509.SE5/6
Private collection, London, 1972 (via Charles E. Slatkin, Inc. Galleries, New York City; via Massimo Vignelli, New York)
Ed. 1509.SE6/6
Mr. Aleksandrovicz, Rio de Janeiro, 1971 (via Charles E. Slatkin, Inc. Galleries, New York City) [owner not located]
Ed. 1509.unkn01
John and Kimiko Powers Collection, Carbondale, Colo., April 1969 (via Charles E. Slatkin, Inc. Galleries, New York City; via Irving Blum Gallery, Los Angeles) [Kimiko Powers, 1999]
Ryobi Foundation, Carbondale, Colo., 2013 (by transfer)
Ed. 1509.unkn02
Owner unknown, 1969 (via Charles E. Slatkin, Inc. Galleries, New York City; via Ferus Gallery, Los Angeles)
Ed. 1509.unkn03
Owner unknown, 1969 (via Charles E. Slatkin, Inc. Galleries, New York City; via Ferus Gallery, Los Angeles)
Ed. 1509.unkn04
Ileana and Michael Sonnabend, Paris, 1969 (via Charles E. Slatkin, Inc. Galleries, New York City; via Stephen Radich Gallery, New York City) [The Sonnabend Collection]
Antonio Homem (The Sonnabend Collection), 2007 (by descent)
Ed. 1509.unkn05 (LC 531-A)
Mrs. Pearle, Dallas, Tex., November 1969 (via Charles E. Slatkin, Inc. Galleries, New York; via Leo Castelli Gallery, New York City)
Owner unknown
Ed. 1509.unkn06
Private collection, Paris, 1969 (via Charles E. Slatkin, Inc. Galleries, New York City; via Stephen Radich Gallery, New York City; via Galerie Ileana Sonnabend, Paris)
Ed. 1509.unkn07
City First National Bank, Kansas City, Kan., 1971 (via Charles E. Slatkin, Inc. Galleries, New York City) [bank no longer exists; collection not located]
Owner unknown
Ed. 1509.unkn08
Galerie Beyeler, Basel, Switzerland, May 1971 (via Charles E. Slatkin, Inc. Galleries, New York City)
Private collection, Paris, October 1971 [owner not located]
Ed. 1509.unkn09
Leo Castelli Gallery, New York City, 1969 (via Charles E. Slatkin, Inc. Galleries, New York City)
Tejas Englesmith, New York City, 1971 (by gift)
(Heritage Auctions, Dallas, October 7, 2009, auction 5031, lot 63079)
Owner unknown
Ed. 1509.unkn10
Herbert and Marion Sandler, San Francisco (Golden West Financial Corporation, Oakland, Calif.), 1971 (via Charles E. Slatkin, Inc. Galleries, New York City)
(Bonhams, Los Angeles, October 27, 2014, sale 21790, lot 179)
Ed. 1509.unkn11
Miles and Shirley Fiterman, Minneapolis, Minn., 1972 (via Charles E. Slatkin, Inc. Galleries, New York City) [Shirley Fiterman, Minneapolis, Minn., 2004]
Ed. 1509.unkn12
First National Bank of Dayton, Ohio, 1972 (via Modern Master Tapestries Inc., New York City; via Carl Solway Gallery, Cincinnati, Ohio) [bank no longer exists; collection not located]
Ed. 1509.unkn13
Raymond and Patsy Nasher Collection, Dallas, Tex. (via Modern Master Tapestries Inc., New York City)
(Sotheby's, New York, May 9, 2008, Property from the Raymond and Patsy Nasher Collection, sale N08488, lot 99)
Ed. 1509.unkn14
First National Bank of Minneapolis, Minn., 1972 (via Modern Master Tapestries Inc., New York City) [bank no longer exists; collection not located]
Ed. 1509.unkn15
Sperry Division of Sperry Rand, Great Neck, New York, 1972 (via Modern Master Tapestries Inc., New York City)
Northrup Grumman, Bethpage, N.Y.
(EAC Gallery, Roslyn Heights, N.Y., 1999)
Robert Hearle, New York
Marina Hearle, Pawleys Island, S.C., 2012 (by bequest)
(Clars Auction Gallery, Oakland, Calif., September 16, 2018, sale 602, lot 7293)
Owner unknown
Ed. 1509.unkn16
Leo Castelli Gallery, New York City, January 1973 (via Modern Master Tapestries Inc., New York City)
Owner unknown
Ed. 1509.unkn17
Private Collection, Europe, 1970s (via Modern Master Tapestries Inc., New York City; via Galerie Ileana Sonnabend, Paris)
Ed. 1509.unkn18
Fontana Gallery (Lois Kushner), Bala Cynwyd, Pa., 1973 (via Modern Master Tapestries Inc., New York City)
Estate of Lois Kushner, Bala Cynwyd, Pa., 2004 (by transfer)
(Rago Modern Auctions, LLP, Lambertville, N.J., October 23, 2004, lot 557)
Owner unknown
Ed. 1509.unkn19 Ed. 1509.unkn20 Ed. 1509.unkn21*
Galerie Lucy Weill & Seligmann, Paris, 2001
(Pierre Bergé & Associés, Paris, Palais d'Iéna, June 7, 2012, lot 196)
Private Collection, Paris
(Pierre Bergé & Associés, Paris, Drouot-Richelieu, Salle 14, February 26, 2014)
Private collection
Nazmiyal Antique Rugs, New York City, 2014
Private Collection, Los Angeles, fall 2015
Ed. 1509.unkn22*
Galerie Lucy Weill & Seligmann, Paris, c. 2005
(Pierre Bergé & Associés, Brussels, June 8, 2011, lot 116 as Untitled)
Private Collection, Belgium
Ed. 1509.unkn23*
Barry Cronan Fine Art Ltd., London, c. 2006
Owner unknown, c. 2016
Ed. 1509.13/20 (531-B)
The Collection of Samuel and Luella Maslon, Ca., 1972 (via Charles E. Slatkin, Inc. Galleries, New York City; via Leo Castelli Gallery, New York City)
Owner unknown
Ed. 1509.14/20*
Gallery Camino Real Inc., Boca Raton, Fla.
William D. Weber Fine Arts, New York City
Edward J. Minskoff, April 1999 (via Danese Gallery, New York City) [Collection of Julie and Edward J. Minskoff]
Exhibitions
Stephen Radich Gallery, New York, American Tapestries, October 22–November 23, 1968 (exhibited but not all venues are confirmed) (Slatkin 1968, p. 27 color ill.). Traveled to: Philbrook Art Center, Tulsa, Okla., December 3–26, 1968; Memorial Art Gallery, University of Rochester, Rochester, N.Y., January 3–26, 1969 (as Contemporary American Tapestry); Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, Okla., January 5–21, 1969; Museum of Art, Rhode Island School of Design, Providence, R.I., February 2–March 2, 1969 (as Contemporary American Tapestries); High Museum of Art, Atlanta, Ga., February 9–March 3, 1969 (as Contemporary American Tapestries); Main Place Gallery, Dallas, Tex., March–April 12, 1969; Montclair Art Museum, Montclair, N.J., March 9–April 6, 1969; Cincinnati Art Museum, Cincinnati, April 19–May 18, 1969 (as Contemporary American Tapestries); Allentown Art Museum, Allentown, Pa., April 26–May 18, 1969 (as Contemporary American Wall Hangings); John Herron Art Institute, Indianapolis, Ind., June 8–July 7, 1969 (as Contemporary American Tapestries); Mint Museum of Art, Charlotte, N.C., September 14–October 12, 1969 (as Contemporary American Tapestries); Musée des Beaux-Arts de Montréal, Montreal, October–November 16, 1969 (as Contemporary Tapestries); Wichita Art Museum, Wichita, Kans., October–November 17, 1969; La Jolla Museum of Art, La Jolla, Calif., January 10–February 8, 1970 (as Contemporary American Tapestries); Expo '70, Osaka, Japan, March 15–September 13, 1970; Honolulu Academy of Arts, Honolulu, April 3–May 3, 1970; Santa Barbara Museum of Art, Santa Barbara, Calif., May 17–June 14, 1970; Krannert Art Museum, University of Illinois Urbana-Champaign, Champaign, Ill., September 13–October 4, 1970 (as Contemporary American Tapestries).
Irving Blum Gallery, Los Angeles, Roy Lichtenstein, February 4–March 4, 1969 (ed. 1509.unkn01).
Dayton's Gallery 12, Minneapolis, Castelli at Dayton's, April 19–May 17, 1969 (Friedman 1969) (ed. 1509.unkn09).
Modern Master Tapestries Gallery, New York, Opening exhibition, May 1–June 30, 1972.
University Art Museum, California State University, Long Beach, California, The Great American Pop Art Store: Multiples of the Sixties, August 26–October 26, 1997 (Glenn, C. 1997). Traveled to: Jane Voorhees Zimmerli Art Museum, Rutgers University, State University of New Jersey, New Brunswick, N.J., November 22, 1997–February 22, 1998; Baltimore Museum of Art, Baltimore, Md., March 25–May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, Ala., June 27–August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, Minn., October 3–December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, Tex., January 18–March 14, 1999; Wichita Art Museum, Witchita, Kans., April 11–June 6, 1999; Muskegon Museum of Art, Muskegon, Mich., July 29–September 12, 1999; Joslyn Art Museum, Omaha, Neb., October 23, 1999–January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, Fla., February 3–March 26, 2000; Toledo Museum of Art, Toledo, Ohio, June 4–August 13, 2000 (ed. 1509.AC).
A/D Gallery, New York, Modern Tapestries, 1967: Roy Lichtenstein, Ellsworth Kelly, Frank Stella, and Robert Indiana, February 15–April 30, 1999 (ed. 1509.14/20*).
Colby College Museum of Art, Waterville, Maine, The Skowhegan School of Painting and Sculpture: 60 Years, July 22–October 29, 2006 (Newland 2006) (ed. 1509.AC).
Museo delle Cultre, Milan, Roy Lichtenstein. Multiple Visions, May 1–September 8, 2019 (Mercurio 2019a). Traveled to: Musée des Beaux-Arts, Mons, Belgium, December 5, 2020–April 18, 2021 (as Roy Lichtenstein: Visions Multiples) (Mercurio 2020a) (ed. 1509.SE4/6).
Literature
Kriebel, Charles. "Art Rugs." Home Furnishings Daily (October 23, 1968), pp. 6–7 b/w ill. (double spread).
Charles E. Slatkin Galleries, New York. Modern Master Tapestries. New York: Charles E. Slatkin Galleries, 1970, color ill. (ed. 1509.unkn10).
(Photographs by Aldo Ballo). "A Milano la casa esperimento di Gae Aulenti." Casa Vogue, no. 11 (November–December 1971), n.p. b/w ill. (detail; in collector's home), n.p. color ill. (in collector's home). (ed. 1509.SE2/6).
Lichtenstein, Roy, and Jean-Claude Meyer. "Les illusions optiques de Roy Lichtenstein." XXe siècle (Paris and Milan) n.s, 35, no. 41 (December 1973), p. 93 b/w ill.
Skurka, Norma. "Spare is more." New York Times Magazine, April 20, 1975, Design, p. 93 b/w ill. (in collector's home). (ed. 1509.SE3/6).
Petranzan, Margherita. Gae Aulenti. Translated from the Italian by Susan Meadows. New York: Rizzoli, 1997, n.p. following p. 227 color ill. (in collector's home), p. 230 color ill. (in collector's home). (ed. 1509.SE2/6).
Simonyi, Charles and Michael Lobel. Digital Premonition: The Charles Simonyi Collection. [U.S.]: Charles Simonyi Collection, 2001, p. 68 color ill.
Bottimonti, Adriana (Photographs by Mads Mogensen). "Gae Aulenti: L'architetto in interni." Casamica. Supplement to Corriere della sera, nos. 1–2 (February 1, 2003), n.p. color ill. (in collector's home), n.p. color ill. (detail; in collector's home), n.p. color ill. (detail; in collector's home). (ed. 1509.SE2/6).

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The images, text and source material in the Site may be protected by third-party copyright or trademark.  No license is granted to you under any such third-party rights.

Prohibited Uses

Notwithstanding the foregoing, you may not (i) download, or attempt to download, any reproduction or image of any work of art, (ii) remove or alter any copyright, trademark or other proprietary notices from any of the Content or (iii) modify, translate, decompile, create derivative work(s) of, copy, distribute, or otherwise use in any manner not expressly permitted herein, the Site.  Specifically, and by way of illustration and not limitation, you may not separate any graphics, photographs or other elements from the accompanying text or material in the Site without the prior express written permission of RLF and/or its licensor(s). 

You may not use the Site in any way that violates any applicable federal, state, local or international law or regulation (including, without limitation, any laws regarding the export of data or software to and from the US or other countries).

You may not use any “deep-link”, “page-scrape”, “robot”, “spider” or other automatic device, program, algorithm or methodology, or any similar or equivalent manual process, to access, extract, acquire, copy or monitor any portion of the Site or any Content, or in any way reproduce or circumvent the navigational structure or presentation of the Site or any Content, to obtain or attempt to obtain any materials, documents or information through any means not purposely made available through the Site.  

No Content accessed from the Site may be used to train artificial intelligence models or tools or otherwise for generating output or other content using artificial intelligence technologies, or to permit others to do the same.  

You further agree that you will not:

  1. Interfere with the proper functioning of the Site;
  2. Attempt to gain unauthorized access to any portion or feature of the Site, or any other systems or networks connected to the Site or to any RLF server, or to any of the services offered on or through the Site, by hacking, password “mining” or any other illegitimate means; or
  3. Probe, scan or test the vulnerability of the Site or any network connected to the Site, nor breach the security or authentication measures on the Site or any network connected to the Site. 

Registered Users

If you are 18 years old or older, you may register to become a registered user (“Registered User”) and access the Site. You are responsible for all activity under your Registered User account.  You agree to provide accurate, current and complete information at all times, and to update it in a timely manner.  You may not transfer or otherwise do anything to give another person access to your Registered User account.  You must notify us immediately at [email protected] if you become aware that anyone has gained unauthorized access to your Registered User account.  You represent and warrant that all information you provide as a Registered User is accurate and complete.

We reserve the right, in our sole discretion, to suspend or terminate your registered access at any time if you have not complied with the Terms or for other reasons that we determine in good faith are necessary or appropriate, including if we suspect you are using or attempting to use the Site in any way that violates these Terms or any applicable laws or regulations.

Third-Party Content and Links to Third-Party Websites 

The Site may contain content of, or links to websites controlled by, third parties (“Third-Party Websites”).  We are not responsible for Third-Party Websites or their content, activities or privacy practices.  Any information you share or actions you take on Third-Party Websites are governed by those websites’ terms of use and privacy statements, which you should review carefully to learn about their practices.  The inclusion of third-party content or links to Third-Party Websites on our Site does not imply our endorsement of Third-Party Websites, their content, or any associated organization or activity.  We make no representation or warranty whatsoever about the nature of Third-Party Websites and if you decide to access any other websites linked to or from the Site, you do so entirely at your own risk.  WE ARE NOT RESPONSIBLE, OR LIABLE TO YOU OR ANY THIRD PARTY, FOR THE CONTENT OR ACCURACY OF ANY MATERIALS PROVIDED BY ANY THIRD PARTIES.

Frames; Metatags

Unless you obtain our prior written consent in each case, you may not: (A) frame any Content on any other website; or (B) use metatags or any other “hidden text” that incorporates the “ROY LICHTENSTEIN” trademarks, marks confusingly similar to our trademarks, or our name.

Additional Disclaimers

THE SITE, CONTENT, AND LINKS AVAILABLE THROUGH IT ARE AVAILABLE “AS IS” AND “AS AVAILABLE.”  WE DO NOT WARRANT THAT THE SITE OR ANY CONTENT AND LINKS AVAILABLE THROUGH IT WILL BE UNINTERRUPTED OR ERROR-FREE.  THERE MAY BE DELAYS, OMISSIONS, INTERRUPTIONS AND INACCURACIES IN CONTENT AVAILABLE ON THE SITE.  WE MAKE NO REPRESENTATIONS OR WARRANTIES ABOUT THE ACCURACY, COMPLETENESS, TIMELINESS, RELIABILITY, OR NON-INFRINGEMENT OF ANY CONTENT AVAILABLE ON THE SITE OR CONTENT OR SERVICES AVAILABLE THROUGH LINKS TO THIRD-PARTY WEB SITES.  WE RESERVE THE RIGHT TO CORRECT ANY ERRORS OR OMISSIONS ON THE SITE AND IN ITS CONTENT.  IF YOU RELY ON THE SITE AND ANY CONTENT AVAILABLE THROUGH IT, YOU DO SO ENTIRELY AT YOUR OWN RISK.

TO THE MAXIMUM EXTENT PERMITTED UNDER LAW, RLF DISCLAIMS ANY AND ALL EXPRESS OR IMPLIED WARRANTIES WITH RESPECT TO THE SITE AND ANY CONTENT OR INFORMATION THAT IS AVAILABLE THROUGH IT, INCLUDING WITHOUT LIMITATION, ANY WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE (EVEN IF THAT PURPOSE HAS BEEN DISCLOSED).

ALTHOUGH RLF INTENDS TO TAKE REASONABLE STEPS TO PREVENT THE INTRODUCTION OF VIRUSES, WORMS, “TROJAN HORSES,” OR OTHER MALICIOUS CODE TO THE SITE, RLF DOES NOT GUARANTEE OR WARRANT THAT THE SITE, OR CONTENT THAT MAY BE AVAILABLE THROUGH IT, ARE FREE FROM SUCH DESTRUCTIVE FEATURES.  RLF IS NOT LIABLE FOR ANY DAMAGES OR HARM ATTRIBUTABLE TO SUCH FEATURES.

Limitation of Liability

RLF AND ITS AFFILIATES, MANAGERS, OFFICERS, EMPLOYEES, CONTRACTORS, AGENTS, VOLUNTEERS, AND ADVISORS, WHETHER IN SUCH CAPACITIES OR INDIVIDUALLY, AND THE HEIRS, SUCCESSORS AND ASSIGNS OF EACH OF THEM (TOGETHER, THE “COVERED PARTIES”) ARE NOT LIABLE FOR ANY CLAIM OF ANY NATURE WHATSOEVER BASED ON LOSS OR INJURY BECAUSE OF ERRORS, OMISSIONS, INTERRUPTIONS, OR INACCURACIES IN THE SITE OR ANY CONTENT AVAILABLE THROUGH IT, INCLUDING LOSS OR INJURY THAT RESULTS FROM YOUR BREACH OF ANY PROVISION OF THESE TERMS.

UNDER NO CIRCUMSTANCES WILL RLF OR THE COVERED PARTIES BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, CONSEQUENTIAL, SPECIAL, PUNITIVE, OR EXEMPLARY DAMAGES (INCLUDING LOST REVENUES OR PROFITS, LOSS OF BUSINESS, OR LOSS OF DATA) ARISING OUT OF OR IN CONNECTION WITH YOUR USE OF THE SITE OR CONTENT OR THESE TERMS, REGARDLESS OF THE THEORY OF LIABILITY, WHETHER TORT (INCLUDING NEGLIGENCE), CONTRACT, OR ANY OTHER LEGAL OR EQUITABLE THEORY, EVEN IF RLF HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.  OUR AGGREGATE LIABILITY TO YOU FOR ANY USE OF, OR INABILITY TO USE, THE SITE OR CONTENT IS LIMITED TO $1000. SOME STATES DO NOT ALLOW THE LIMITATION OF LIABILITY FOR THESE KINDS OF DAMAGES, SO THESE LIMITATIONS OR EXCLUSIONS MAY NOT APPLY TO YOU.

Indemnification

You agree to indemnify, defend and hold harmless RLF and the Covered Parties from and against all demands, loss, liability, claims or expenses (including attorneys’ fees) made against RLF and the Covered Parties arising out of your use of the Site, its Content, or violation of these Terms.

Infringing Material

RLF respects the intellectual property of others and expects users to do the same.  As to allegedly infringing copyrighted works, we comply with the take down and counter notification provisions of the Digital Millennium Copyright Act (“DMCA”), 17 U.S.C.A. § 512, as set forth below. 

We reserve the right to remove or disable access to any Content claimed to be infringing, at any time at our sole discretion, without notice or liability.  In appropriate circumstances, we will also terminate users of the Site who are repeat infringers.

If you believe that Content has been used in a way that constitutes copyright infringement, please provide our designated agent, whose contact information is listed below, with a written notice containing all of the following information (“DMCA Notice”):

  • A physical or electronic signature of a person authorized to act on behalf of the owner of an exclusive right that is allegedly infringed;
  • Identification of the copyrighted work claimed to have been infringed;
  • Identification of the Content that is claimed to be infringing or to be the subject of infringing activity, and information reasonably sufficient to permit us to locate such Content on our Site (such as the URL to each page on the Site containing allegedly infringing material);
  • Information reasonably sufficient to permit us to contact you, such as an address, telephone number, and, if available, an email address;
  • a statement that you have a good faith belief that use of the Content in the manner complained of is not authorized by the copyright owner, its agent, or the law; and
  • a statement that the information in your notice is accurate and, under penalty of perjury, that you are authorized to act on behalf of the owner of an exclusive right that is allegedly infringed.

Our agent designated to receive DMCA Notices may be contacted as follows:

[email protected]

Changes to the Terms

RLF may change these Terms from time to time by posting an updated version on this web page, or, if we determine that it is appropriate, we may provide other notice to you.  Your continued use of the Site after we post updated Terms means that you accept and agree to such Terms.  We recommend checking back on this web page regularly if you use the Site.

Termination

We reserve the right to terminate the Site, these Terms, and any Content, and your access to the Site and/or the Content, at any time without notice, for any reason.  The “Reliance on Information Posted,” “Copyright & Trademark,” “Inclusions in Catalogue Raisonné (or Lack Thereof),” “Additional Disclaimers,” “Limitation of Liability,” “Indemnification,” and “Governing Law” sections of these Terms (along with this provision and any other provision that by its terms contemplates survival) survive any termination of these Terms.

Governing Law

These Terms are the complete agreement between you and RLF regarding your use of the Site and is governed by applicable federal laws and the laws of the State of New York applicable to agreements made and completely performed there.  Any dispute arising out of or in connection with these Terms shall be subject to the exclusive jurisdiction and venue of the United States District Court for the Southern District of New York located in the Borough of Manhattan in the City of New York or, only if such court does not have subject-matter jurisdiction, the Supreme Court of the State of New York, New York County.

You irrevocably agree to bring any claim or dispute relating to your use of the Site and these Terms exclusively in the state and federal courts located in New York, to submit to the exclusive jurisdiction of those courts, and to waive any jurisdictional, venue, inconvenient forum, or other objections to those courts.  

Other

Section titles and headings are for convenience only and have no legal or contractual effect.  The failure of RLF to exercise or enforce any right or provision of the Terms shall not constitute a waiver of such right or provision.  If a court of competent jurisdiction determines that any provision of these Terms is unenforceable for any reason, then that provision will be deleted and the remaining provisions of these Terms will be enforceable to the fullest extent permitted by law.

Questions

Please email [email protected] with any questions you may have about these Terms.